(director/writer: Alexandre Moratto; screenwriter: Thayná Mantesso; cinematographer: João Gabriel de Queiroz; editor: Germano de Oliveira; music: Filipe Puperi, Rita Zart, Tiago Abrahão; cast: Christian Malheiros(Mateus), Rodrigo Santoro (Mr. Luca), Lucas Oranmian (Isaque), Vitor Julian (Ezequiel), Josias Duarte (Rodney),Clayton Mariano (Bianchi), Bruno Rocha (Samuel); Runtime: 93; MPAA Rating: R; producers; Ramin Bahrani, Andrea Barata Ribeiro, Fernando Meirelles, Alexandre Moratto: Netflix; 2021-Brazil in Portuguese with English subtitles)
“The realistic horror story is universally understood.”
Reviewed by Dennis Schwartz
This bleak thriller is the second film by the Brazilian-American filmmaker Alexandre Moratto(“Socrates”) that’s fine but not as good as his 2018 gem.
The 18-year-old Mateus (Christian Malheiros), in his backward remote country Brazilian village, dreams of a better life, and with his close teenage friends Samuel (Bruno Rocha), Ezequiel (Vitor Julian), Isaque (Lucas Oranmian) take what looks like a good job breaking down machinery parts in a junkyard in Sao Paulo. But after driven there in a minivan, they find themselves trapped in a miserable situation they can’t escape from and their sleazy boss Mr. Luca (Rodrigo Santoro) treats them as slave-laborers as they learn what they must do to survive such harsh conditions.
It’s a dark tale of human trafficking of the uneducated (what slavery looks like in these modern times). Rather than being just a social-issue film, it shows how exploitation by the corrupt power system (the ugly bosses, police and politicians) leads to a violent society.
Nothing new here. But the performances by Malheiros and Santoro are edgy, and the realistic horror story is universally understood.
REVIEWED ON 11/14/2021 GRADE: B