(director/writer: Satyajit Ray; screenwriter: story “Janaiko Kapurusher Kahini” by Premendra Mitra; cinematographer: Soumendu Roy; editor: Dulal Dutta; music: Satyajit Ray; cast: Soumitra Chatterjee (Amitabha Roy), Haradhan Bannerjee (Bimal Gupta), Madhabi Mukhopadhyay (Karuna Gupta); Runtime: 70; MPAA Rating: NR; producer: R. D. Bansal; Big Home Video; 1965--India--in Bengali with English subtitles)

“Unremarkable moralistic drama.”

Reviewed by Dennis Schwartz

Writer-director Satyajit Ray(“The Elephant God”/”Agantuk”/”Distant Thunder”) shoots in black and white this unremarkable moralistic drama. It’s based on a short story “Janaiko Kapurusher Kahini” by Premendra Mitra,

When Calcutta based screenwriter Amitabha Roy (Soumitra Chatterjee) is scouting a location in Darjeeling for his film, his car breaks down in a remote city and while the garage owner is repairing his car a Western educated wealthy hedonistic tea planter, Bimal Gupta (Haradhan Bannerjee), invites him to stay overnight in his plantation. There Roy meets his host’s pretty new wife, Karuna (Madhabi Mukhopadhyay), and is surprised she’s the girl he once loved and abandoned when he was indecisive during his college student days. Meanwhile the host is not made aware of their past relationship and eventually passes out from drinking too much. Able to steal a few moments alone with Karuna, Roy conveys his love for her and asks her to leave her uncouth husband now that he has found success in his field and is more secure. Karuna never reveals her feelings but refuses any intimacies and rejects his marriage proposal.

The next morning Roy decides to take the train rather than waiting for the car to be repaired. He passes a note for her to meet him at the railroad station if she still cares about him. Karuna arrives only to reject him, as she returns to her boorish husband.